Dance Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Precious About My Body'
Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his arms muscular beneath a simple tee. During performances, dancers can seem like powerful gods, yet frequently offstage they are petite. Not so Ball, whose height is one reason for his demand for princely roles and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered minimal ridicule for his early passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was promoted each year, reaching the highest position of principal in 2018. He has loved tackling substantial characters, particularly the psychological angst found in a famed choreographer's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
His upcoming featured role is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes insights into a performer's art. He will walk the crowd through a part, demonstrating his mental process while performance. Even in more comedic works, the challenge is profound. "Don Quixote is one of the toughest technically," he notes.
The Mental Struggle and Post-Performance Feelings
What about after a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel embarrassed later. After an intense role I'm always like: God, what must people think?"
In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."
Early Drivers and Artistic Inspirations
His determination originated in youthful experiences. Not doing well in contests at school made him "driven!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
The next challenge is creating his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from books, compositions, and art.
Close-Up Performance and Private Dynamic
He also is interested in staging dance in smaller spaces. "It was just really exciting," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest supporter."
On Social Media and Bodily Image
On Instagram, fans can see videos from his dance films and images that highlight a sculpted form. Does he mind that the response can be a bit focused on appearance? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.
Ball describes his younger self as "eager for success." Did it met his hopes? "I am conscious of how reality is a different thing to the aspirations you had as a young person," he muses. He likely has about ten years of dancing ahead. "I suppose in the future, I want to be a bit more kind with myself."